One of Ours.

You know who I've been thinking of these past few days?
Willa Cather's character Claude Wheeler in One of Ours. She won the Pulitzer for it, Hemingway laughed at her combat descriptions as lady dramatics, but the first part of the book?

Claude is stuck, pretty much. A farm boy, with a nice limited world laid out for him, a bullying father, and then, a cold fish for a wife who cares more about women's sufferage and stomping out the evil alcohol via Prohibition than she does for him. Always going off to meetings like that, and leaving him alone for supper.

He wants more, more than just the time- and energy-saving appliances that the industrial revolution promises, and that are good enough for his "gotta have the latest invention on the market!" brother.

It really was a good portrait of rural isolation in those pre-World War days. And then he goes off to fight in the war, to be something bigger than himself, and then Cather's writing not so much from what she knows but from ideals, and the book drags...

Still, it's an impressive observation of the time. You feel for Ralph, much like, if the truth were really told, I suspect more people might feel for Weiner. It's all good and simple to say "Man=Bad", but c'mon?

Ralph's coldish wife did him no favors in marrying him; and you have to wonder (don't you??) why a few weeks out from the ceremony, he -- Rep. Weiner -- was looking for satisfaction elsewhere.

Not to diss the woman, not at all. But all those offering up amateur opinions, operating perhaps with only half-truths, ought to consider that the whole thing might be a lot more complex that their limited minds can imagine...

Read Willa Cather, get to know Claude Wheeler, and then tell me why it's all the guy's fault here and he should have known better, yadda yadda.

"Hello, Claude, glad to see you around again! Sickness can't do much to a husky young farmer like you. With old fellows, it's another story. I'm just starting off to have a look at my alfalfa, south of the river. Get in and go along with me."

They went out to the open car that stood by the sidewalk, and when they were spinning along between fields of ripening grain Claude broke the silence. "I expect you know what I want to see you about, Mr. Royce?"

The older man shook his head. He had been preoccupied and grim ever since they started.

"Well," Claude went on modestly, "it oughtn't to surprise you to hear that I've set my heart on Enid. I haven't said anything to her yet, but if you're not against me, I'm going to try to persuade her to marry me."

"Marriage is a final sort of thing, Claude," said Mr. Royce. He sat slumping in his seat, watching the road ahead of him with intense abstraction, looking more gloomy and grizzled than usual. "Enid is a vegetarian, you know," he remarked unexpectedly.

Claude smiled. "That could hardly make any difference to me, Mr.Royce."


The other nodded slightly. "I know. At your age you think it doesn't. Such things do make a difference, however." His lips closed over his half-dead cigar, and for some time he did not open them.

"Enid is a good girl," he said at last. "Strictly speaking, she has more brains than a girl needs. If Mrs. Royce had another daughter at home, I'd take Enid into my office. She has good judgment. I don't know but she'd run a business better than a house." Having got this out, Mr. Royce relaxed his frown, took his cigar from his mouth, looked at it, and put it back between his teeth without relighting it.

Claude was watching him with surprise. "There's no question about Enid, Mr. Royce. I didn't come to ask you about her," he exclaimed. "I came to ask if you'd be willing to have me for a son-in-law. I know, and you know, that Enid could do a great deal better than to marry me. I surely haven't made much of a showing, so far."

"Here we are," announced Mr. Royce. "I'll leave the car under this elm, and we'll go up to the north end of the field and have a look."

They crawled under the wire fence and started across the rough ground through a field of purple blossoms. Clouds of yellow butterflies darted up before them. They walked jerkily, breaking through the sun-baked crust into the soft soil beneath. Mr. Royce lit a fresh cigar, and as he threw away the match let his hand drop on the young man's shoulder. "I always envied your father. You took my fancy when you were a little shaver, and I used to let you in to see the water-wheel. When I gave up water power and put in an engine, I said to myself: 'There's just one fellow in the country will be sorry to see the old wheel go, and that's Claude Wheeler.'"

"I hope you don't think I'm too young to marry," Claude said as they tramped on.

"No, it's right and proper a young man should marry. I don't say anything against marriage," Mr. Royce protested doggedly. "You may find some opposition in Enid's missionary motives. I don't know how she feels about that now. I don't enquire. I'd be pleased to see her get rid of such notions. They don't do a woman any good."

"I want to help her get rid of them. If it's all right with you,
I hope I can persuade Enid to marry me this fall."


Jason Royce turned his head quickly toward his companion, studied his artless, hopeful countenance for a moment, and then looked away with a frown.

The alfalfa field sloped upward at one corner, lay like a bright green-and-purple handkerchief thrown down on the hillside. At the uppermost angle grew a slender young cottonwood, with leaves as light and agitated as the swarms of little butterflies that hovered above the clover. Mr. Royce made for this tree, took off his black coat, rolled it up, and sat down on it in the flickering shade. His shirt showed big blotches of moisture, and the sweat was rolling in clear drops along the creases in his brown neck. He sat with his hands clasped over his knees, his heels braced in the soft soil, and looked blankly off across the field. He found himself absolutely unable to touch upon the vast body of experience he wished to communicate to Claude. It lay in his chest like a physical misery, and the desire to speak struggled there. But he had no words, no way to make himself understood. He had no argument to present. What he wanted to do was to hold up life as he had found it, like a picture, to his young friend; to warn him, without explanation, against certain heart-breaking disappointments. It could not be done, he saw. The dead might as well try to speak to the living as the old to the young. The only way that Claude could ever come to share his secret, was to live. His strong yellow teeth closed tighter and tighter on the cigar, which had gone out like the first. He did not look at Claude, but while he watched the wind plough soft, flowery roads in the field, the boy's face was clearly before him, with its expression of reticent pride melting into the desire to please, and the slight stiffness of his shoulders, set in a kind of stubborn loyalty. Claude lay on the sod beside him, rather tired after his walk in the sun, a little melancholy, though he did not know why.

After a long while Mr. Royce unclasped his broad, thick-fingered miller's hands, and for a moment took out the macerated cigar. "Well, Claude," he said with determined cheerfulness, "we'll always be better friends than is common between father and son-in-law. You'll find out that pretty nearly everything you believe about life—about marriage, especially—is lies. I don't know why people prefer to live in that sort of a world, but they do."
...
There was one person in the world who felt sorry for Claude that night. Gladys Farmer sat at her bedroom window for a long while, watching the stars and thinking about what she had seen plainly enough that afternoon. She had liked Enid ever since they were little girls,--and knew all there was to know about her. Claude would become one of those dead people that moved about the streets of Frankfort; everything that was Claude would perish, and the shell of him would come and go and eat and sleep for fifty years. Gladys had taught the children of many such dead men. She had worked out a misty philosophy for herself, full of strong convictions and confused figures. She believed that all things which might make the world beautiful--love and kindness, leisure and art--were shut up in prison, and that successful men like Bayliss Wheeler held the keys. The generous ones, who would let these things out to make people happy, were somehow weak, and could not break the bars. Even her own little life was squeezed into an unnatural shape by the domination of people like Bayliss. She had not dared, for instance, to go to Omaha that spring for the three performances of the Chicago Opera Company. Such an extravagance would have aroused a corrective spirit in all her friends, and in the schoolboard as well; they would probably have decided not to give her the little increase in salary she counted upon having next year.

There were people, even in Frankfort, who had imagination and generous impulses, but they were all, she had to admit, inefficient--failures. There was Miss Livingstone, the fiery, emotional old maid who couldn't tell the truth; old Mr. Smith, a lawyer without clients, who read Shakespeare and Dryden all day long in his dusty office; Bobbie Jones, the effeminate drug clerk, who wrote free verse and "movie" scenarios, and tended the sodawater fountain.

Claude was her one hope. Ever since they graduated from High School, all through the four years she had been teaching, she had waited to see him emerge and prove himself. She wanted him to be more successful than Bayliss AND STILL BE CLAUDE. She would have made any sacrifice to help him on. If a strong boy like Claude, so well endowed and so fearless, must fail, simply because he had that finer strain in his nature,--then life was not worth the chagrin it held for a passionate heart like hers.

At last Gladys threw herself upon the bed. If he married Enid, that would be the end. He would go about strong and heavy, like Mr. Royce; a big machine with the springs broken inside.

...
Honeymoon Night:
The train glided quietly out through the summer darkness, along the timbered river valley. Claude was alone on the back platform, smoking a nervous cigar. As they passed the deep cut where Lovely Creek flowed into the river, he saw the lights of the mill house flash for a moment in the distance. The night air was still; heavy with the smell of sweet clover that grew high along the tracks, and of wild grapevines wet with dew. The conductor came to ask for the tickets, saying with a wise smile that he had been hunting for him, as he didn't like to trouble the lady.


After he was gone, Claude looked at his watch, threw away the end of his cigar, and went back through the Pullman cars. The passengers had gone to bed; the overhead lights were always turned low when the train left Frankfort. He made his way through the aisles of swaying green curtains, and tapped at the door of his state room. It opened a little way, and Enid stood there in a white silk dressing-gown with many ruffles, her hair in two smooth braids over her shoulders.

"Claude," she said in a low voice, "would you mind getting a berth somewhere out in the car tonight? The porter says they are not all taken. I'm not feeling very well. I think the dressing on the chicken salad must have been too rich."

He answered mechanically. "Yes, certainly. Can't I get you something?"

"No, thank you. Sleep will do me more good than anything else. Good-night."

She closed the door, and he heard the lock slip. He stood looking at the highly polished wood of the panel for a moment, then turned irresolutely and went back along the slightly swaying aisle of green curtains. In the observation car he stretched himself out upon two wicker chairs and lit another cigar. At twelve o'clock the porter came in.

"This car is closed for the night, sah. Is you the gen'leman from the stateroom in fourteen? Do you want a lower?"

"No, thank you. Is there a smoking car?"

"They is the day-coach smokah, but it ain't likely very clean at this time o' night."

"That's all right. It's forward?" Claude absently handed him a coin, and the porter conducted him to a very dirty car where the floor was littered with newspapers and cigar stumps, and the leather cushions were grey with dust. A few desperate looking men lay about with their shoes off and their suspenders hanging down their backs. The sight of them reminded Claude that his left foot was very sore, and that his shoes must have been hurting him for some time. He pulled them off, and thrust his feet, in their silk socks, on the opposite seat.

On that long, dirty, uncomfortable ride Claude felt many things, but the paramount feeling was homesickness. His hurt was of a kind that made him turn with a sort of aching cowardice to the old, familiar things that were as sure as the sunrise. If only the sagebrush plain, over which the stars were shining, could suddenly break up and resolve itself into the windings of Lovely Creek, with his father's house on the hill, dark and silent in the summer night! When he closed his eyes he could see the light in his mother's window; and, lower down, the glow of Mahailey's lamp, where she sat nodding and mending his old shirts. Human love was a wonderful thing, he told himself, and it was most wonderful where it had least to gain.

By morning the storm of anger, disappointment, and humiliation that was boiling in him when he first sat down in the observation car, had died out. One thing lingered; the peculiarly casual, indifferent, uninterested tone of his wife's voice when she sent him away. It was the flat tone in which people make commonplace remarks about common things.

Day broke with silvery brightness on the summer sage. The sky grew pink, the sand grew gold. The dawn-wind brought through the windows the acrid smell of the sagebrush: an odour that is peculiarly stimulating in the early morning, when it always seems to promise freedom... large spaces, new beginnings, better days.

The train was due in Denver at eight o'clock. Exactly at seven thirty Claude knocked at Enid's door,--this time firmly. She was dressed, and greeted him with a fresh, smiling face, holding her hat in her hand.

"Are you feeling better?" he asked.

"Oh, yes! I am perfectly all right this morning. I've put out all your things for you, there on the seat."

He glanced at them. "Thank you. But I won't have time to change, I'm afraid."

"Oh, won't you? I'm so sorry I forgot to give you your bag last night. But you must put on another necktie, at least. You look too much like a groom."

"Do I?" he asked, with a scarcely perceptible curl of his lip.

Everything he needed was neatly arranged on the plush seat; shirt, collar, tie, brushes, even a handkerchief. Those in his pockets were black from dusting off the cinders that blew in all night, and he threw them down and took up the clean one. There was a damp spot on it, and as he unfolded it he recognized the scent of a cologne Enid often used. For some reason this attention unmanned him. He felt the smart of tears in his eyes, and to hide them bent over the metal basin and began to scrub his face. Enid stood behind him, adjusting her hat in the mirror.

"How terribly smoky you are, Claude. I hope you don't smoke before breakfast?"

"No. I was in the smoking car awhile. I suppose my clothes got full of it."

"You are covered with dust and cinders, too!" She took the clothes broom from the rack and began to brush him.


Claude caught her hand. "Don't, please!" he said sharply. "The porter can do that for me."

Enid watched him furtively as he closed and strapped his suitcase. She had often heard that men were cross before breakfast.

"Sure you've forgotten nothing?" he asked before he closed her bag.

"Yes. I never lose things on the train,--do you?"

"Sometimes," he replied guardedly, not looking up as he snapped the catch.




Book Three; Sunrise on the Prairie

I
Claude was to continue farming with his father, and after he returned from his wedding journey, he fell at once to work. The harvest was almost as abundant as that of the summer before, and he was busy in the fields six days a week.

One afternoon in August he came home with his team, watered and fed the horses in a leisurely way, and then entered his house by the back door. Enid, he knew, would not be there. She had gone to Frankfort to a meeting of the Anti-Saloon League. The Prohibition
party was bestirring itself in Nebraska that summer, confident of voting the State dry the following year, which purpose it triumphantly accomplished.

Enid's kitchen, full of the afternoon sun, glittered with new paint, spotless linoleum, and blue-and-white cooking vessels. In the dining-room the cloth was laid, and the table was neatly set for one. Claude opened the icebox, where his supper was arranged for him; a dish of canned salmon with a white sauce; hardboiled eggs, peeled and lying in a nest of lettuce leaves; a bowl of ripe tomatoes, a bit of cold rice pudding; cream and butter. He placed these things on the table, cut some bread, and after carelessly washing his face and hands, sat down to eat in his working shirt. He propped the newspaper against a red glass water pitcher and read the war news while he had his supper. He was annoyed when he heard heavy footsteps coming around the house. Leonard Dawson stuck his head in at the kitchen door, and Claude rose quickly and reached for his hat; but Leonard came in, uninvited, and sat down. His brown shirt was wet where his suspenders gripped his shoulders, and his face, under a wide straw hat which he did not remove, was unshaven and streaked with dust.


"Go ahead and finish your supper," he cried. "Having a wife with a car of her own is next thing to having no wife at all. How they do like to roll around! I've been mighty blamed careful to see that Susie never learned to drive a car. See here, Claude, how soon do you figure you'll be able to let me have the thrasher? My wheat will begin to sprout in the shock pretty soon. Do you reckon your father would be willing to work on Sunday, if I helped you, to let the machine off a day earlier?"

"I'm afraid not. Mother wouldn't like it. We never have done that, even when we were crowded."

"Well, I think I'll go over and have a talk with your mother. If she could look inside my wheat shocks, maybe I could convince her it's pretty near a case of your neighbour's ox falling into a pit on the Sabbath day."

"That's a good idea. She's always reasonable."

Leonard rose. "What's the news?"

"The Germans have torpedoed an English passenger ship, the Arabic; coming this way, too."

"That's all right," Leonard declared. "Maybe Americans will stay at home now, and mind their own business. I don't care how they chew each other up over there, not a bit! I'd as soon one got wiped off the map as another."

"Your grandparents were English people, weren't they?"

"That's a long while ago. Yes, my grandmother wore a cap and little white curls, and I tell Susie I wouldn't mind if the baby turned out to have my grandmother's skin. She had the finest complexion I ever saw."

As they stepped out of the back door, a troop of white chickens with red combs ran squawking toward them. It was the hour at which the poultry was usually fed. Leonard stopped to admire them. "You've got a fine lot of hens. I always did like white leghorns. Where are all your roosters?"

"We've only got one. He's shut up in the coop. The brood hens are setting. Enid is going to try raising winter frys."

"Only one rooster? And may I ask what these hens do?"

Claude laughed. "They lay eggs, just the same,--better. It's the fertile eggs that spoil in warm weather."

This information seemed to make Leonard angry. "I never heard of such damned nonsense," he blustered. "I raise chickens on a natural basis, or I don't raise 'em at all." He jumped into his car for fear he would say more.

When he got home his wife was lifting supper, and the baby sat near her in its buggy, playing with a rattle. Dirty and sweaty as he was, Leonard picked up the clean baby and began to kiss it and smell it, rubbing his stubbly chin in the soft creases of its neck. The little girl was beside herself with delight.

"Go and wash up for supper, Len," Susie called from the stove. He put down the baby and began splashing in the tin basin, talking with his eyes shut.

"Susie, I'm in an awful temper. I can't stand that damned wife of Claude's!"

She was spearing roasting ears out of a big iron pot and looked up through the steam. "Why, have you seen her? I was listening on the telephone this morning and heard her tell Bayliss she would be in town until late." "Oh, yes! She went to town all right, and he's over there eating a cold supper by himself. That woman's a fanatic. She ain't content with practising prohibition on humankind; she's begun now on the hens." While he placed the chairs and wheeled the baby up to the table, he explained Enid's method of raising poultry to his wife. She said she really didn't see any harm in it.

"Now be honest, Susie; did you ever know hens would keep on laying without a rooster?"

"No, I didn't, but I was brought up the old-fashioned way. Enid has poultry books and garden books, and all such things. I don't doubt she gets good ideas from them. But anyhow, you be careful. She's our nearest neighbour, and I don't want to have trouble with her."

"I'll have to keep out of her way, then. If she tries to do any missionary work among my chickens, I'll tell her a few home truths her husband's too bashful to tell her. It's my opinion she's got that boy cowed already."

"Now, Len, you know she won't bother your chickens. You keep quiet. But Claude does seem to sort of avoid people," Susie admitted, filling her husband's plate again. "Mrs. Joe Havel says Ernest don't go to Claude's any more. It seems Enid went over there and wanted Ernest to paste some Prohibition posters about fifteen million drunkards on their barn, for an example to the Bohemians. Ernest wouldn't do it, and told her he was going to vote for saloons, and Enid was quite spiteful, Mrs. Havel said. It's too bad, when those boys were such chums. I used to like to see them together." Susie spoke so kindly that her husband shot her a quick glance of shy affection.

"Do you suppose Claude relished having that preacher visiting them, when they hadn't been married two months? Sitting on the front porch in a white necktie every day, while Claude was out cutting wheat?"

"Well, anyhow, I guess Claude had more to eat when Brother Weldon was staying there. Preachers won't be fed on calories, or whatever it is Enid calls 'em," said Susie, who was given to looking on the bright side of things. "Claude's wife keeps a wonderful kitchen; but so could I, if I never cooked any more than she does."

Leonard gave her a meaning look. "I don't believe you would live with the sort of man you could feed out of a tin can."

"No, I don't believe I would." She pushed the buggy toward him.
"Take her up, Daddy. She wants to play with you."

Leonard set the baby on his shoulder and carried her off to show her the pigs. Susie kept laughing to herself as she cleared the table and washed the dishes; she was much amused by what her husband had told her.

Late that evening, when Leonard was starting for the barn to see that all was well before he went to bed, he observed a discreet black object rolling along the highroad in the moonlight, a red spark winking in the rear. He called Susie to the door.

"See, there she goes; going home to report the success of the meeting to Claude. Wouldn't that be a nice way to have your wife coming in?"

"Now, Leonard, if Claude likes it--"

"Likes it?" Big Leonard drew himself up. "What can he do, poor kid? He's stung!"

Tell 'em that it's human nature...